This lamp is slightly different from the others. This time, I moved away from floral motifs and focused instead on geometry, rhythm, and precision. For the first time, I used new tools that allowed me to achieve greater symmetry and accuracy. The structure contains over 14,000 holes of varying diameters.This higher density creates a more refined, cohesive effect – the pattern flows seamlessly across the space, forming a mesmerizing dance of light and shadow. It’s a lamp that doesn’t bloom like a flower — it breathes like silence. Height: 50cm Diameter: 24cm Power: 230V Ask me for price

Once again I return to the rose motif. I would like to convey the character of this flower as faithfully as possible, but it is not so easy. Elements that are convex in a real rose here they must be concave so that they become bright when the light source is turned on.So I sculpt a negative of the rose, an inverted image that reveals its true nature only when the light is switched on. And yet, the lamp must remain beautiful even when turned off — that’s the real challenge. There are slight discolorations in the upper part of the carving; these are probably spots created during the drying of the gourd fruit.Unfortunately, such surprises are most often discovered only when removing the first layer of material at the sanding stage.Maintaining the aesthetics of the work becomes much more difficult in such a situation, because the transparency of the gourd walls in these places is different than in others.Grinding must then be extremely precise, the material is removed with an accuracy of a fraction of a millimeter.This lamp took an exceptionally long time to create, almost half a year. I admit that not only because of technical difficulties but also because I allowed myself to well deserved vacation. I suspect that I will take up the rose in the future again. This is one of those topics that won’t let you forget about it. Height: 50cm Diameter: 24cm Power: 230V Ask me for price